The show that premiered the Beatles' Sgt Pepper's Lonely Hearts Club Band album. There are currently three recordings of the show, two of them are short excerpts lasting a couple of minutes, and the other one covers 20 minutes of the programme. The Radio London website has a full account of how the station managed to get an exclusive first play of the whole album, including this explanation of how Peel came to be involved:
"Ed Stewart had a sponsored segment of his regular afternoon programme called 'It’s All Happening' that went out every Friday between 1700 and 1800 as a 'What's on in London' guide for trendy youngsters. It was during this part of his show that Stewpot introduced Sgt Pepper's Lonely Hearts Club Band, no doubt to the delight of the sponsors. Naturally, everyone aboard the Galaxy had gathered round to listen. The sounds of Sgt Pepper's had such a profound effect on John Peel that he burst into tears, so Ed took pity on him and allowed Peelie to take over the programme."
The tracks include a repeated Radio London jingle, "B.I.G. L", presumably to deter rival pirate radio stations from taping and playing them.
Despite the "What's on in London" emphasis of the programme, the events mentioned by Peel (doubtless reading from a pre-prepared script) are mostly small-scale and of local interest - stock car race meetings, Big L DJ nights, even a squash club fete - rather than the important gigs or fashionable clubs which typified the "Swinging London" era..It's an example of how most of Radio London's programming and advertising was aimed at ordinary listeners, rather than the affluent trend-setters of the '60s..
(JP: 'Another track from the new Beatles album Sgt. Pepper's Lonely Hearts Club Band. This is John Peel because Ed Stewart relinquished the reins to let me bring this for you. That was Paul McCartney singing. Thirteen minutes away from six Radio London time, and I think I'd be sooner doing this than anything else in the entire world right now this specific moment actually') ~
(Peel reads out more adverts and messages; Big L Party Night at Carlton Ballroom, Slough; stock car racing at Foxhall Heath Stadium, Ipswich on Sunday afternoon; stock car racing and wrestling at Arlington Stadium, Eastbourne; Ashtead Squash Club fete)~
(JP: 'Oh, that's amazing, it's called Good Morning, Good Morning and once again (pause)....they're still there') @
Beatles: Sgt. Pepper's Lonely Hearts Club Band (Reprise) @
(JP: "I think all we're doing is going to another track, the second version of Sgt. Pepper's Lonely Hearts Club Band, so I think I'll leave that one to Peter Drummond, who will be with you in just about two and a half minutes on Radio London. You've been listening to the brand new Beatles album heard for the first time, exclusively of course on Radio London called Sgt. Pepper's Lonely Hearts Club Band and you've also been listening to, what's this programme called, it's got a special name, Where It's All Happening, or something, or, yes It's All Happening, there you go, telling you where to go over this weekend and all the excitement that is going on in and around London or all over that area") @
Tracks marked # are available on File 1
Tracks marked ~ are available on File 2
Tracks marked @ are available on File 3
1) 1967 05 12 Fri 1700-1715 R London (266m) - Ed Stewart - World Premiere of Sgt Pepper (clips, 3 mins)
2) 1967 05 12 Fri 1728-1750 R London (266m) - Ed Stewart, John Peel - World Premiere of Sgt Pepper (Keith Skues - News)
↑The film was directed by Peter Watkins, who had previously made the TV film The War Game, banned by the BBC but widely shown in the 1980s and popular with anti-nuclear protest groups. Privilege portrayed a pop star who is exploited by the authorities and becomes figurehead of a messianic, neo-fascist movement aimed at distracting young people's attention from political involvement. It was ridiculed by British critics at the time and soon withdrawn, but the director and admirers of the film see it as prophesying developments in society during the era of Margaret Thatcher, as well as the increasingly corporate control of pop music and culture. One of the film's songs was covered by Patti Smith in 1978.