John Peel Wiki
Tag: Visual edit
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; Comments
 
; Comments
*Start of show: ''"Thank you very much, Andy. One thing that you won't get on Ceefax is the information that my mother was seven months pregnant with me when that last record was recorded."''
+
*Start of show: ''"Thank you very much, Andy. One thing that you won't get on [[Ceefax]] is the information that my mother was seven months pregnant with me when that last record was recorded."''
*File a is edited and follows directly on from the end of an AK Show.
+
*Files a and d are the main show files, with some of the dance tunes edited out. File a follows directly on from the end of an AK Show.
*Tracklisting on files b and c are a severely edited version of the show, with only brief snatches of Peel's links, although most of the session tracks are present. It is assumed all the other tracks are from the same show.
+
*Tracklisting on files b and c are the dance edit version of the show, with only brief snatches of Peel's links, although most of the session tracks are present. Note the Consolidated and Queen tracks are reveresed on file c.
*The third file contains several unbroken sections of the show though again with a few audible edits. It may well be an earlier generation recording as a few of the tracks are repeated (out of sequence) on file b.
 
 
*The date of the show was also day of the death of Freddie Mercury, which explains the perhaps unexpected presence of a Queen track. John broke the news from the Radio 1 newsroom during the show.
 
*The date of the show was also day of the death of Freddie Mercury, which explains the perhaps unexpected presence of a Queen track. John broke the news from the Radio 1 newsroom during the show.
 
*Moreover, this is the show where John cancelled the Festive Fifty (as transcribed below).
 
*Moreover, this is the show where John cancelled the Festive Fifty (as transcribed below).
Line 27: Line 26:
 
*[[Brokenhead]]: 'Hippy's Child (Mini LP-Point)' (Seaside)
 
*[[Brokenhead]]: 'Hippy's Child (Mini LP-Point)' (Seaside)
 
*''(edit)''
 
*''(edit)''
 
*[[Bounty Hunter]]: unknown § ''only on '''File b'''''
 
*[[Pixies]]: 'Winterlong (Compilation LP-[http://www.discogs.com/Various-The-Bridge-A-Tribute-To-Neil-Young/release/2388520 The Bridge - A Tribute To Neil Young])' (Caroline / No. 6)
 
*[[Pixies]]: 'Winterlong (Compilation LP-[http://www.discogs.com/Various-The-Bridge-A-Tribute-To-Neil-Young/release/2388520 The Bridge - A Tribute To Neil Young])' (Caroline / No. 6)
 
*''(edit)''
 
*''(edit)''
 
*[[Altern 8]]: 'Frequency' (Peel Session) § ''only on '''File b'''''
 
*[[Nessun Dorma]]: 'Tonight's The... (LP-[http://www.discogs.com/Nessun-Dorma-Chew-It-Over/release/1808258 Chew It Over])' (MCR UK)
 
*[[Nessun Dorma]]: 'Tonight's The... (LP-[http://www.discogs.com/Nessun-Dorma-Chew-It-Over/release/1808258 Chew It Over])' (MCR UK)
 
*[[Bewitched]]: '409 ([http://www.discogs.com/Bewitched-409-Junkets-Theme/release/1429673 7"])' (No. 6)
 
*[[Bewitched]]: '409 ([http://www.discogs.com/Bewitched-409-Junkets-Theme/release/1429673 7"])' (No. 6)
:''(JP: 'The first from Consolidated is America No. 1.')'
+
:''(JP: 'The first from Consolidated is America No. 1.')' ''
*[[Consolidated]]: 'America No. 1' (Peel Session)
+
*[[Consolidated]]: 'America No. 1' (Peel Session) §
*[[Anhrefn]]: '''unknown''' (LP-[http://www.discogs.com/Anhrefn-Dragons-Revenge/release/3273303 Dragons Revenge])' (Crai / Probe Plus)
+
*[[Anhrefn]]: Yn Gyffredinol (LP-[http://www.discogs.com/Anhrefn-Dragons-Revenge/release/3273303 Dragons Revenge])' (Crai / Probe Plus)
 
:''(JP: 'But first, a dramatic announcement about this year's Festive Fifty. For those of you who've been students of these things, the Festive Fifty is something I've been doing for about, ooh, ten or twelve years now, <ref>Actually fifteen.</ref> I forget when the first one was, but it reached its peak, I suppose, around the time of the [[Sex Pistols]] and ''Anarchy In The U.K.''. I'm just guessing, cos I never counted the cards (who in their right mind would?), but I suppose there was something in the order of eight, ten, twelve thousand cards that people sent in on those occasions. Since then, it's kind of gone off: year after year there have been slightly fewer. Amongst others, the Pig, my wife has always, in the last two or three years, "Why do you go on doing it?," it has become a bit of a bind, really, and whenever I suggest not doing it, people write, phone in saying, "You must, you must, we rely on it over [[Christmas]] and the New Year to keep us entertained," and so forth. Well, this year, I'll be brutally honest with you (not the sort of thing I should tell you really, because I'm supposed to only give you positive messages), but I counted up the number of entries I've had so far this year, and bear in mind that this is the last week of November, and I've been nagging away on the air for the whole month, in the past week we got 23 entries and now have a total of 97. Well, even if we doubled that next week, it still would be fairly farcical, I think, because any record that got more than one vote or more than one point would almost certainly be in the Festive Fifty, so I felt really, in view of this massive indifference to the entire process (and I can understand how it comes about: people get bored with charts and so forth), it seems sort of something that's had its day really, so I though it more sensible to press the abort button on the entire project. So if you were thinking of sitting down and writing your three favourite tracks of the year this year and sending them in to me, don't bother. We'll think of something else to do, I think. In fact, Pinky and myself were sitting down this afternoon to work out what we would do, and we'll go and put out some of the best sessions of the year and so forth over Christmas and the New Year, but no Festive 50.')''
 
:''(JP: 'But first, a dramatic announcement about this year's Festive Fifty. For those of you who've been students of these things, the Festive Fifty is something I've been doing for about, ooh, ten or twelve years now, <ref>Actually fifteen.</ref> I forget when the first one was, but it reached its peak, I suppose, around the time of the [[Sex Pistols]] and ''Anarchy In The U.K.''. I'm just guessing, cos I never counted the cards (who in their right mind would?), but I suppose there was something in the order of eight, ten, twelve thousand cards that people sent in on those occasions. Since then, it's kind of gone off: year after year there have been slightly fewer. Amongst others, the Pig, my wife has always, in the last two or three years, "Why do you go on doing it?," it has become a bit of a bind, really, and whenever I suggest not doing it, people write, phone in saying, "You must, you must, we rely on it over [[Christmas]] and the New Year to keep us entertained," and so forth. Well, this year, I'll be brutally honest with you (not the sort of thing I should tell you really, because I'm supposed to only give you positive messages), but I counted up the number of entries I've had so far this year, and bear in mind that this is the last week of November, and I've been nagging away on the air for the whole month, in the past week we got 23 entries and now have a total of 97. Well, even if we doubled that next week, it still would be fairly farcical, I think, because any record that got more than one vote or more than one point would almost certainly be in the Festive Fifty, so I felt really, in view of this massive indifference to the entire process (and I can understand how it comes about: people get bored with charts and so forth), it seems sort of something that's had its day really, so I though it more sensible to press the abort button on the entire project. So if you were thinking of sitting down and writing your three favourite tracks of the year this year and sending them in to me, don't bother. We'll think of something else to do, I think. In fact, Pinky and myself were sitting down this afternoon to work out what we would do, and we'll go and put out some of the best sessions of the year and so forth over Christmas and the New Year, but no Festive 50.')''
 
*[[Red Hour]]: 'Open Eyes (12"-[http://www.discogs.com/Red-Hour-Spin-Out/release/890165 Spin Out])' (Wilde Club)
 
*[[Red Hour]]: 'Open Eyes (12"-[http://www.discogs.com/Red-Hour-Spin-Out/release/890165 Spin Out])' (Wilde Club)
  +
*''edit''
*[[Culture]]: 'Still Rest My Heart (LP–[http://www.discogs.com/Culture-Three-Sides-To-My-Story/release/2532716 Three Sides To My Story])' (Shanachie)
 
  +
*[[Ultraviolence]]: 'You'll Never Sleep Tonight (12" - [http://www.discogs.com/Ultraviolence-Shout/release/349121 Shout])'  ''only on ''''§ and [[Best Of 1991 Vol 7]]''
*[[Crust]]:
 
 
*[[Culture]]: 'Still Rest My Heart (LP–[http://www.discogs.com/Culture-Three-Sides-To-My-Story/release/2532716 Three Sides To My Story])' (Shanachie) §
'''File b'''
 
  +
*[[Spiritualized]]: Why Don't You Smile Now ([http://www.discogs.com/Spiritualized-Smile-Sway/release/442800 12"]) Dedicated SPIRT 003T
*[[Bounty Hunter]]: unknown
 
  +
*''edit''
*[[Altern 8]]: 'Frequency' (Peel Session)
 
 
*[[Crust]]: Diet Tray (album - [http://www.discogs.com/Crust-Crust/release/483616 Crust]) Trance Syndicate TR-05
:''(JP: 'The first from Consolidated is America No. 1.')'
 
*[[Consolidated]]: 'America No. 1' (Peel Session)
 
*[[Culture]]: 'Still Rest My Heart (LP–[http://www.discogs.com/Culture-Three-Sides-To-My-Story/release/2532716 Three Sides To My Story])' (Shanachie)
 
*[[Altern 8]]: Give It To Baby (session)
 
*[[Consolidated]]: This Is Fascism (session)
 
'''File c'''
 
*[[Home T, Cocoa Tea & Cutty Ranks]]: Another One For the Road ([http://www.discogs.com/Home-T-Cocoa-T-Cutty-Ranks-Another-One-For-The-Road/release/2234580 12”]) Greensleeves
 
*[[Altern 8]]: Say It Y’All (session)
 
*[[Fluke]]: Pan Am Into Philly (12” – [http://www.discogs.com/Fluke-Out-In-Essence/release/55481 Out (In Essence)]) Circa
 
*[[Queen]]: Crazy Little Thing Called Love
 
*[[Consolidated]]: No Censorship (session)
 
*[[Cobra]]: Hunu Want War (album - [http://www.discogs.com/Cobra-Mercyless-Bad-Boy/release/2687025 Mercyless Bad Boy]) Sinbad Production
 
*[[Altern 8]]: Activ 8 (session)
 
*[[Stereolab]]: Doubt ([http://www.discogs.com/Stereolab-Stunning-Debut-Album/release/574592 7”]) Duophonic
 
*[[Clevvy & Danny]]: Ragga Dub Mix (?)
 
*[[Fu-Schnickens]]: Ring The Alarm ([http://www.discogs.com/Fu-Schnickens-Ring-The-Alarm/master/56780 12"]) Jive
 
 
'''File d'''
 
'''File d'''
 
*''This portion is from [[L026]]a''
 
*''This portion is from [[L026]]a''
  +
*[[Mňága a Žďorp]]: Ne, teď ne! (LP - [http://www.discogs.com/M%C5%88%C3%A1ga-A-%C5%BD%C4%8Forp-Made-In-Valmez/master/293480 Made in Valmez]) N.A.R.
*[[Mnaga A Zdrop]]: unknown (unknown album)
 
*''edit''
+
*''(edit'')
 
*[[Altern 8]]: Give It To Baby (session) § ''only on '''File b'''''
*[[Entombed]]: unknown
 
*[[Juata Jazz Band]]: Tupa Tupa (album - Tanzania Dance Bands Volume 2)
+
*[[Entombed]]: Stranger Aeons (album - Clandestine) Earache
  +
*[[Juwata Jazz Band]]: Tupa Tupa (v/a album - [https://www.discogs.com/Various-Tanzania-Dance-Bands-Vol-2/release/6411537 Tanzania Dance Bands Vol. 2]) Monsun
 
*''(news of Freddie Mercury's death)''
 
*''(news of Freddie Mercury's death)''
 
*[[Revolver]]: Drowning Inside (12" - [http://www.discogs.com/Revolver-Crimson/release/1788622 Crimson]) Hut HUTT 9
 
*[[Revolver]]: Drowning Inside (12" - [http://www.discogs.com/Revolver-Crimson/release/1788622 Crimson]) Hut HUTT 9
 
*''edit''
 
*''edit''
 
*[[Consolidated]]: This Is Fascism (session) § ''only on '''File b'''''
 
*[[Babes In Toyland]]: Ripe (v/a album - [http://www.discogs.com/Various-New-Season-The-Peel-Sessions/release/2846225 New Season - The Peel Sessions]) Strange Fruit SFRLP 205
 
*[[Babes In Toyland]]: Ripe (v/a album - [http://www.discogs.com/Various-New-Season-The-Peel-Sessions/release/2846225 New Season - The Peel Sessions]) Strange Fruit SFRLP 205
 
*[[Drop]]: Drone 1 (album - [http://www.discogs.com/Drop-Within-And-Beyond/release/2543283 Within And Beyond]) Chapter 22 CHAPM LP61
 
*[[Drop]]: Drone 1 (album - [http://www.discogs.com/Drop-Within-And-Beyond/release/2543283 Within And Beyond]) Chapter 22 CHAPM LP61
*[[Home T]] [[Cocoa Tea]] and [[Cutty Ranks]]: Another One For The Road ([http://www.discogs.com/Home-T-Cocoa-Tea-Cutty-Ranks-Another-One-For-The-Road/release/2234580 12"]) Greensleeves GRED 318
+
*[[Home T]], [[Cocoa Tea]] and [[Cutty Ranks]]: Another One For The Road ([http://www.discogs.com/Home-T-Cocoa-Tea-Cutty-Ranks-Another-One-For-The-Road/release/2234580 12"]) Greensleeves GRED 318 #
 
*''edit''
 
*''edit''
 
*[[Altern 8]]: Say It Y’All (session) ''# only on '''File c '''and [[Best Of 1991 Vol 7]]''
 
*[[Fluke]]: Pan Am Into Philly (12” – [http://www.discogs.com/Fluke-Out-In-Essence/release/55481 Out (In Essence)]) Circa ''# only on '''File c'''''
 
*[[Wedding Present]]: Felicity (v/a album - [http://www.discogs.com/Various-New-Season-The-Peel-Sessions/release/2846225 New Season - The Peel Sessions]) Strange Fruit SFRLP 205
 
*[[Wedding Present]]: Felicity (v/a album - [http://www.discogs.com/Various-New-Season-The-Peel-Sessions/release/2846225 New Season - The Peel Sessions]) Strange Fruit SFRLP 205
*[[Consolidated]]: No Censorship (session)
+
*[[Consolidated]]: No Censorship (session) #
 
*[[Bukka White]]: Bukka's Jitterbug Swing (v/a album - [http://www.discogs.com/Various-Savage-Kick-Volume-6/release/3097523 Savage Kick Volume 6]) Savage Kick SK506
 
*[[Bukka White]]: Bukka's Jitterbug Swing (v/a album - [http://www.discogs.com/Various-Savage-Kick-Volume-6/release/3097523 Savage Kick Volume 6]) Savage Kick SK506
 
*''Next portion from end of [[L026]]b''
 
*''Next portion from end of [[L026]]b''
*[[Queen]]: Crazy Little Thing Called Love
+
*[[Queen]]: Crazy Little Thing Called Love #
 
*[[Pogues]]: Streams Of Whiskey
 
*[[Pogues]]: Streams Of Whiskey
 
*''edit''
 
*''edit''
Line 83: Line 73:
 
*[[Nirvana]]: Paper Cuts (album - [http://www.discogs.com/Nirvana-Bleach/release/2795554 Bleach]) Sub Pop SP 34
 
*[[Nirvana]]: Paper Cuts (album - [http://www.discogs.com/Nirvana-Bleach/release/2795554 Bleach]) Sub Pop SP 34
 
*''edit''
 
*''edit''
*[[Cobra]]: Hunu Want War (album - [http://www.discogs.com/Cobra-Mercyless-Bad-Boy/release/2687025 Mercyless Bad Boy]) Sinbad Production ''back-announced only''
+
*[[Cobra]]: Hunu Want War (album - [http://www.discogs.com/Cobra-Mercyless-Bad-Boy/release/2687025 Mercyless Bad Boy]) Sinbad Production ''''# only on '''File c, '''''back-announced on file d.'''''
 
*[[Divine Comedy]]: Timewatch ([http://www.discogs.com/Divine-Comedy-Timewatch/release/949767 12"]) Setanta SET 008
 
*[[Divine Comedy]]: Timewatch ([http://www.discogs.com/Divine-Comedy-Timewatch/release/949767 12"]) Setanta SET 008
 
*[[Del Saints]]: Tarzan (album - [http://www.discogs.com/Various-Jungle-Exotica/release/943286 Jungle Exotica]) Strip ST-005 LP
 
*[[Del Saints]]: Tarzan (album - [http://www.discogs.com/Various-Jungle-Exotica/release/943286 Jungle Exotica]) Strip ST-005 LP
  +
*''edit''
 
*[[Altern 8]]: Activ 8 (session) ''# only on '''File c'''''
 
*[[A Certain Ratio]]: All Night Party (v/a 4xLP - [http://www.discogs.com/Various-Palatine-The-Factory-Story-1979-1990/release/632241 Palatine]) Factory FACT 400
 
*[[A Certain Ratio]]: All Night Party (v/a 4xLP - [http://www.discogs.com/Various-Palatine-The-Factory-Story-1979-1990/release/632241 Palatine]) Factory FACT 400
 
*[[Stereolab]]: Changer (7" - [http://www.discogs.com/Stereolab-Stunning-Debut-Album/release/574592 Stunning Debut Album]) Duophonic DS45-02
 
*[[Stereolab]]: Changer (7" - [http://www.discogs.com/Stereolab-Stunning-Debut-Album/release/574592 Stunning Debut Album]) Duophonic DS45-02
Line 101: Line 93:
 
*a) 00:44:41 (from 00:07:34)
 
*a) 00:44:41 (from 00:07:34)
 
*b) 00:47:55
 
*b) 00:47:55
*c) 00:46:37
+
*c) 00:46:37 (to 31:26)
 
*d) 01:26:29 (00:12:19 of which overlaps with file c)
 
*d) 01:26:29 (00:12:19 of which overlaps with file c)
   

Revision as of 14:32, 6 January 2019

Show

Name
Station
YYYY-MM-DD
  • 1991-11-24
Comments
  • Start of show: "Thank you very much, Andy. One thing that you won't get on Ceefax is the information that my mother was seven months pregnant with me when that last record was recorded."
  • Files a and d are the main show files, with some of the dance tunes edited out. File a follows directly on from the end of an AK Show.
  • Tracklisting on files b and c are the dance edit version of the show, with only brief snatches of Peel's links, although most of the session tracks are present. Note the Consolidated and Queen tracks are reveresed on file c.
  • The date of the show was also day of the death of Freddie Mercury, which explains the perhaps unexpected presence of a Queen track. John broke the news from the Radio 1 newsroom during the show.
  • Moreover, this is the show where John cancelled the Festive Fifty (as transcribed below).

Sessions

  • Altern 8, one and only session. Recorded 1991-10-27.
  • Consolidated, one and only session. Recorded 1991-10-08.

Tracklisting

File a

(JP: 'The first from Consolidated is America No. 1.')'
(JP: 'But first, a dramatic announcement about this year's Festive Fifty. For those of you who've been students of these things, the Festive Fifty is something I've been doing for about, ooh, ten or twelve years now, [1] I forget when the first one was, but it reached its peak, I suppose, around the time of the Sex Pistols and Anarchy In The U.K.. I'm just guessing, cos I never counted the cards (who in their right mind would?), but I suppose there was something in the order of eight, ten, twelve thousand cards that people sent in on those occasions. Since then, it's kind of gone off: year after year there have been slightly fewer. Amongst others, the Pig, my wife has always, in the last two or three years, "Why do you go on doing it?," it has become a bit of a bind, really, and whenever I suggest not doing it, people write, phone in saying, "You must, you must, we rely on it over Christmas and the New Year to keep us entertained," and so forth. Well, this year, I'll be brutally honest with you (not the sort of thing I should tell you really, because I'm supposed to only give you positive messages), but I counted up the number of entries I've had so far this year, and bear in mind that this is the last week of November, and I've been nagging away on the air for the whole month, in the past week we got 23 entries and now have a total of 97. Well, even if we doubled that next week, it still would be fairly farcical, I think, because any record that got more than one vote or more than one point would almost certainly be in the Festive Fifty, so I felt really, in view of this massive indifference to the entire process (and I can understand how it comes about: people get bored with charts and so forth), it seems sort of something that's had its day really, so I though it more sensible to press the abort button on the entire project. So if you were thinking of sitting down and writing your three favourite tracks of the year this year and sending them in to me, don't bother. We'll think of something else to do, I think. In fact, Pinky and myself were sitting down this afternoon to work out what we would do, and we'll go and put out some of the best sessions of the year and so forth over Christmas and the New Year, but no Festive 50.')

File d

File

Name
  • a) L003b
  • b) L015b
  • c) L011b
  • d) 1991-11-24 John Peel BBC Radio 1 (incomplete) L026~.mp3
Length
  • a) 00:44:41 (from 00:07:34)
  • b) 00:47:55
  • c) 00:46:37 (to 31:26)
  • d) 01:26:29 (00:12:19 of which overlaps with file c)
Other
  • a) File starts with end of AK Show of 1991-11-24 and leads straight into Peel. Created from L003 of the SL Tapes, digitised by RC.
  • b) Peel show from 00:09:49 of file. First two tracks appear to be from an undated Andy Kershaw show.
  • c) Whole file appears to be from the same show.
  • File b created from L015 and file c from L011 of the SL Tapes. Many thanks to RC.
  • File d created from L026 of SL Tapes, digitised by RF.
Available
Footnotes
  1. Actually fifteen.