John Peel Wiki
Don't have an account?
Register
Register
in: Artists, Featured Articles

Changes: Bob Dylan

Back to page
Sign in to edit
Line 3: Line 3:
 
== Links to Peel ==
  
== Links to Peel ==
   
−
In [[Margrave Of The Marshes]], Peel relates that he was introduced to Dylan's work during his early years in the US by his Texan girlfriend Nancy, but admitted he did not share the uncritical reverence much of his generation expressed for Dylan and his work. His DJ career in the US coincided with Dylan's rise to fame and switch from folk to pop, which produced a series of chart hits which made the playlists of the Top 40 stations where John Ravencroft (as he was then known) worked. At the end of 1966 the [[KMEN]]tertainer, the newspaper of the station for which Peel was working at the time, published a [http://2.bp.blogspot.com/_1KjbZ6a39_8/RgSHXy48LfI/AAAAAAAAASE/PEdIvhUvSU0/s1600-h/scan0006.jpg full-page article] on Dylan as one of the "Hitmakers Of The Year". No author is credited, but the references to blues singers and some stylistic touches seem to hint that Peel, editor of the newspaper at the time, may have written, or re-written, parts of it.
 +
In [[Margrave Of The Marshes]], Peel relates that he was introduced to Dylan's work during his early years in the US by his Texan girlfriend Nancy, but admitted he did not share the uncritical reverence much of his generation expressed for the singer and his work. His DJ career in the US coincided with Dylan's rise to fame and switch from folk to pop, with a series of chart hits which were featured in the playlists of the Top 40 stations where John Ravencroft (as he was then known) worked. At the end of 1966 the [[KMEN]]tertainer, the newspaper of the station for which Peel was working at the time, published a [http://2.bp.blogspot.com/_1KjbZ6a39_8/RgSHXy48LfI/AAAAAAAAASE/PEdIvhUvSU0/s1600-h/scan0006.jpg full-page article] on Dylan as one of the "Hitmakers Of The Year". No author is credited, but the references to blues singers and some stylistic touches seem to hint that Peel, editor of the newspaper at the time, may have written, or re-written, parts of it.
   
 
He continued to play Dylan's work on his return to England, at first on the [[Perfumed Garden]], where he featured (sometimes as listeners' requests) songs from Dylan's 1965-66 albums, such as "Gates Of Eden", "Tombstone Blues" (with "guitaring" by Mike Bloomfield), "Desolation Row" and his favourite, "It Takes A Lot To Laugh, It Takes A Train To Cry", which was later featured in the [[Peelenium]]. In 1967 Dylan was still recovering from his motorcycle accident of August 1966, and on one Perfumed Garden Peel read a letter from Mick Farren, which contained reassuring news that the singer was in good health, and countered the wilder rumours which had been circulating.
  
He continued to play Dylan's work on his return to England, at first on the [[Perfumed Garden]], where he featured (sometimes as listeners' requests) songs from Dylan's 1965-66 albums, such as "Gates Of Eden", "Tombstone Blues" (with "guitaring" by Mike Bloomfield), "Desolation Row" and his favourite, "It Takes A Lot To Laugh, It Takes A Train To Cry", which was later featured in the [[Peelenium]]. In 1967 Dylan was still recovering from his motorcycle accident of August 1966, and on one Perfumed Garden Peel read a letter from Mick Farren, which contained reassuring news that the singer was in good health, and countered the wilder rumours which had been circulating.

Revision as of 14:49, 3 August 2013

Bob Dylan has exercised a greater influence on subsequent generations than any other singer or musician who emerged in the 1960s. He has also gained a loyal, worldwide fan following and, as the first pop singer to appeal to an educated, "intellectual" audience, has been the subject of a vast amount of literature - all of this in spite of the mixed critical response to his work following his heyday in the 1960s and 1970s. Wikipedia's article on Dylan contains a full account of his career, which, as of 2013, is still ongoing.

Links to Peel

In Margrave Of The Marshes, Peel relates that he was introduced to Dylan's work during his early years in the US by his Texan girlfriend Nancy, but admitted he did not share the uncritical reverence much of his generation expressed for the singer and his work. His DJ career in the US coincided with Dylan's rise to fame and switch from folk to pop, with a series of chart hits which were featured in the playlists of the Top 40 stations where John Ravencroft (as he was then known) worked. At the end of 1966 the KMENtertainer, the newspaper of the station for which Peel was working at the time, published a full-page article on Dylan as one of the "Hitmakers Of The Year". No author is credited, but the references to blues singers and some stylistic touches seem to hint that Peel, editor of the newspaper at the time, may have written, or re-written, parts of it.

He continued to play Dylan's work on his return to England, at first on the Perfumed Garden, where he featured (sometimes as listeners' requests) songs from Dylan's 1965-66 albums, such as "Gates Of Eden", "Tombstone Blues" (with "guitaring" by Mike Bloomfield), "Desolation Row" and his favourite, "It Takes A Lot To Laugh, It Takes A Train To Cry", which was later featured in the Peelenium. In 1967 Dylan was still recovering from his motorcycle accident of August 1966, and on one Perfumed Garden Peel read a letter from Mick Farren, which contained reassuring news that the singer was in good health, and countered the wilder rumours which had been circulating.

Dylan's work also appeared on Top Gear, with Peel neatly sidestepping the controversy when the singer abandoned his poetic and allusive lyrics and produced an album of simple country-pop songs, Nashville Skyline, simply by saying he liked the LP. Later in 1969, "Desolation Row" was played as the final track on the final Wednesday night programme ("son of Night Ride"), and after that Peel continued to play Dylan's new releases of the 1970s, while occasionally revisiting tracks from 1965-66. On Rockweek, The Basement Tapes was played as a new release, and Peel called it "marvellous music" [ref], presumably because it was close to the rootsy rock'n'roll he liked, but in the second half of the 1970s Dylan's new work began to meet with a mixed critical response and it was seldom featured in Peel's shows after 1979.

Peel wrote a memorable rubbishing of a Bob Dylan concert for the Observer (of 18 October 1987). It won him few friends among Dylan's devoted following (he later recounted, on his show of 20 August 1993, that he had received hate mail), but was nevertheless included in The Dylan Companion [1], an anthology of writing about the singer. It expressed what many disillusioned former admirers were feeling ("Being an enigma at 20 is fun, being an enigma at 30 shows a lack of imagination, and being an enigma at Dylan's age is just plain daft...From the moment the living legend took to the stage, it was evident that here was business he wanted accomplished with the minimum of effort".). Later, even Dylan himself admitted that his performances and records of the 1980s had been mediocre.

However, Peel was never entirely dismissive of Dylan, and played tracks from Good As I Been To You, the 1992 album which was hailed a a return to form, admitting that he had written off Dylan on the evidence of his 1980s work. He also remarked (reprinted in the Olivetti Chronicles) that he had "even enjoyed a couple of Dylan songs" from the Traveling Wilburys' first LP. Dylan tracks, many of them from the 1965-66 albums Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde, appeared in his later shows, before and after the millennium, although the last Dylan song he played was "Girl From The North Country", from The Freewheelin' Bob Dylan, the singer's 1963 breakthrough LP and one of the early "folk" albums which Peel had largely ignored.

In some ways his attitude to the singer resembled that of the historian (and jazz lover) Eric Hobsbawm, who in his autobiography Interesting Times: A Twentieth Century Life (London, 2003) acknowledged Dylan's "fragments of genius" but ultimately found him "a potential major poet too idle or self-absorbed to keep the muse's attention for more than two or three lines at a time" (p.252). As Peel put it in 1980: "Strange that none of us at the time said, "Hey Bob, what the hell are you on about anyway?"

Other
  • 1975 Records Of The Year: Blood On The Tracks
  • Album Plays
    06 January 1976: Desire (Since Peel had stolen the world exclusive on this from under the noses of Capital Radio, it is presumed he played the whole thing, but no audio recording is yet available to confirm or deny this. What is certain is that he took one track off while it was still playing, a story he recounted on several occasions.)

Peelenium

Festive Fifty Entries

  • Desolation Row #03
  • Like A Rolling Stone #10
  • Visions Of Johanna #23
  • Hurricane #44
  • Like a Rolling Stone #36
  • Desolation Row #46
  • Visions Of Johanna AT#44

Sessions

  • None

Other Shows Played

(The list below was compiled only from the database of this site and Lorcan's Tracklistings Archive, and is incomplete. Please add further details if known.)

1967
  • 19 July 1967: Most Likely You'll Go Your Way and I'll Go Mine (LP - Blonde On Blonde) CBS
  • 22 July 1967: Rainy Day Women #12 and 35 (LP: Blonde on Blonde) CBS
  • 14 August 1967: (JP: “I have an uneasy feeling that at 5.30 this morning, the Perfumed Garden may very slowly lift up into the air with all of us inside of it and just drift away somewhere and spend the rest of our lives, which will be forever perhaps, drifting around, and it will be very nice indeed. One of the people who I hope will be there when it does, Bob Dylan.”)
    It Takes A Lot To Laugh, It Takes A Train To Cry (JP: “Actually my favourite track from the Highway 61 Revisited LP.”)
  • 14 August 1967: On The Road Again
1968
1969
  • 27 April 1969: Country Pie (LP - Nashville Skyline) CBS
  • 11 May 1969: I Threw It All Away (LP - Nashville Skyline) CBS
  • 18 May 1969: One More Night (LP: Nashville Skyline) CBS
  • 24 September 1969: Desolation Row (final show of "son of Night Ride")[1]
1970
1972
1973
  • 24 April 1973: She Belongs To Me (LP – Bringing It All Back Home, 1965) CBS
  • 15 May 1973: Just Like Tom Thumb Blues (LP – Highway 61 Revisited) CBS
  • 17 July 1973: Can You Please Crawl Out Your Window (single?)
  • 31 July 1973 (& Booker T, Bruce Langhorn): Billy 1 (Soundtrack LP-Pat Garrett & Billy The Kid) CBS
  • 31 July 1973 (& Terry Paul): Billy 4 (Soundtrack LP-Pat Garrett & Billy The Kid) Columbia
  • 31 July 1973 (& Jim Keltner, Roger McGuinn, Terry Paul): Billy 7 (Soundtrack LP-Pat Garrett & Billy The Kid) CBS
  • 02 August 1973 (& Terry Paul): Billy 4 (Soundtrack LP-Pat Garrett & Billy The Kid) Columbia
1975
1976
  • 06 January 1976: Desire – full album (Since Peel had stolen the world exclusive on this from under the noses of Capital Radio, it is presumed he played the whole thing, but no audio recording is yet available to confirm or deny this. What is certain is that he took one track off while it was still playing, a story he recounted on several occasions.)
  • 13 January 1976: Hurricane (LP-Desire)' (CBS) (comes to an abrupt halt when Peel drops the cover on the record)
  • 27 December 1976: Hurricane (LP – Desire) CBS FF#44
  • 29 December 1976: Visions Of Johanna (LP-Blonde On Blonde) CBS FF#23' (JP: There were something like fifty different Dylan songs voted for by listeners, so for that reason alone, not a great many of them got into the Festive Fifty....)
1977
1978
  • 17 August 1978: Isis (12” EP – 4 Songs From "Renaldo And Clara") CBS promo
  • 18 August 1978: People Get Ready (12" EP - 4 Songs From "Renaldo And Clara") Columbia
  • 25 August 1978: Never Let Me Go (LP - Renaldo & Clara soundtrack) CBS
  • 20 December 1978: It’s Alright Ma (I’m Only Bleeding) (2xLP – Bob Dylan At Budokan) CBS
  • 21 December 1978: Maggie’s Farm (2xLP – Bob Dylan At Budokan) CBS
  • 26 December 1978: Desolation Row (LP - Highway 61 Revisited) Columbia FF#46
  • 27 December 1978: Like a Rolling Stone (LP - Highway 61 Revisited, 1965) Columbia FF#36
1979
1980s
  • 27 July 1988: Bob Dylan's 115th Dream (LP-Bringing It All Back Home) CBS (JP: "Strange that none of us at the time said, "Hey Bob, what the hell are you on about anyway?")
1990s
  • 06 November 1992: Arthur McBride (album - Good As I Been To You) Columbia (Amusing JP anecdote about how he'd written off Bob Dylan, including AK impersonation. Includes the tale of how he received hate mail over a period of time following a critical review of a Wembley concert he wrote for the Observer newspaper. See also Gigography 1987.)
  • 08 November 1992 (BFBS): Arthur McBride (CD - Good As I Been To You) Columbia
  • 27 November 1992: Hard Times (album - Good As I Been To You) Columbia
  • 20 August 1993: It's Alright, Ma (I'm Only Bleeding) (2x Compilation CD-Bob Dylan - The 30th Anniversary Concert Celebration) Columbia (John and Andy Kershaw have been listening to the Bob Dylan concert LP, of which Andy has vowed to play one of the Neil Young tracks. John plays the other, then follows it with a snatch of Dylan doing what seems to be "a very bad parody" of himself.) (JP: 'If he's going to live in Crouch End, as some people say that he is going to be doing, he's going to have to do better than that before he can lift up his head in society, I suspect.')
  • 03 September 1993 (BFBS): It's Alright, Ma (I'm Only Bleeding) (v/a album - Bob Dylan - The 30th Anniversary Concert Celebration) Columbia
  • 15 January 1994: It's All Over Now, Baby Blue (LP - Bringing It All Back Home) CBS (JP: "Well there’s been a lot of goals hit the back of the net since I last played a Bob Dylan record.")
  • 09 September 1998: She Belongs To Me (LP - Bringing It All Back Home) CBS
  • 31 August 1999: It Takes A Lot To Laugh (LP - Highway 61 Revisited) (60th birthday special) (Dylan version followed by Yo La Tengo cover as “session surprise”)
  • 28 October 1999: It Takes A Lot To Laugh, It Takes A Train To Cry (LP-Highway 61 Revisited) CBS Peelenium 1965 (JP reveals that Bob Dylan is the first artist Sheila played that her parents disliked)
2000s
References
  1. ↑ John Peel: A Life In Music, Michael Heatley, Michael O'Mara Books, p. 63.

External Links

Community content is available under CC-BY-SA unless otherwise noted.