John Peel Wiki

Changes to the look of John Peel Wiki will take place in the near future due to a new skin being rolled out over Oct/Nov across Wikia. Please see the Wikia Staff Blog for further details. On this site, the changes will affect the navigation from the left menu, as well as introduce a fixed page width with narrower content space. Please be patient while adjustments are made for the switch to the new system.

UPDATE: As the change is now in force for some users, I have switched the navigation to the simplified one for the new system. Please check Navigation in the Help section if you can't find things. I also initially made small adjustments to the front page layout, but have now reverted to the old look until all users are on the new system.

COUNTDOWN: Just a reminder for people still using Monaco that the final switch to the new skin is due on Nov. 3. After that, it will no longer be offered as an option. Sorry. Nothing to do with me.

Steve W

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John Peel Wiki

Julie Tippetts (born Julie Driscoll, 8 June 1947) is an English singer and actress, known for her 1960s versions of Bob Dylan and Rick Danko's "This Wheel's on Fire", and Donovan's "Season of the Witch", both with Brian Auger and The Trinity. Along with The Trinity, she was featured prominently in the 1969 television special 33 1/3 Revolutions Per Monkee, singing "I'm a Believer" in a soul style with Micky Dolenz. She and Auger had previously worked in Steampacket, with Long John Baldry and Rod Stewart.

"This Wheel's on Fire" reached number five in the United Kingdom in June 1968. With distortion, the imagery of the title and the group's dress and performance, this version came to represent the psychedelic era in British rock music. Driscoll recorded the song again in the early 1990s with Adrian Edmondson as the theme to the BBC comedy series Absolutely Fabulous, the main characters of which are throwbacks to that era. (Read more at Wikipedia.)

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Peel first encountered Julie Driscoll in October 1967, when she did a guest spot on an evening at Middle Earth he was hosting; with the main attraction being the Blossom Toes. In his International Times column he wrote:

The Blossom Toes wove curious spells at the Middle Earth last week and they must be heard. They have a single release, “What On Earth”, which is not appearing in as many homes as it should be….....Julie Driscoll, also with impending Marmalade release, was singing some lonely, beseeching little songs she’d just written which are as beautiful as she is – I hope they are released [1]

Julie_Driscoll_-_Road_to_Cairo_(Live_1969)

After this, it wasn't long before Julie Driscoll appeared on Top Gear, her first session going out on 19 November 1967, but she didn't sing the self-penned material Peel described. The record released on Marmalade was Open, her first LP with Brian Auger's Trinity, and, like their Peel sessions and later LPs, it contained a number of cover versions. Driscoll and Auger's best-known tracks were written by others, notably "This Wheel's On Fire" which made Julie Driscoll a star, through appearances on Top Of The Pops and other TV shows. Peel wasn't the only one to be struck by her beauty; she was photographed in the Eastern-inspired clothes which were the London fashion scene's response to the hippy trend, and was dubbed "The Face of '68". She and Peel were photographed together when both were pollwinners in the Melody Maker Pop Awards of 1968 (picture here).

But this kind of celebrity didn't appeal to her, and she turned her back on stardom, leaving Auger's band in the middle of a US tour and issuing a solo album, 1969, which pointed to the less commercial, more experimental direction she was to pursue and was not issued until 1971. She married the jazz pianist Keith Tippett, who had worked with her on the album, adopted the name Julie Tippetts and began to work on her husband's projects. Although she was not present on either of the sessions Keith Tippett's group made for Top Gear in the early 1970s, she appeared at Robert Wyatt's Theatre Royal Drury Lane concert on 8 September 1974, which was introduced by Peel and was eventually released on CD. A decade later she sang on the Peel session by Working Week, a band whose members included some names from the experimental, free-improvising scene she was (and still is) involved with - a genre which barely appeared in Peel's later playlists.

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