John Peel Wiki

Changes to the look of John Peel Wiki will take place in the near future due to a new skin being rolled out over Oct/Nov across Wikia. Please see the Wikia Staff Blog for further details. On this site, the changes will affect the navigation from the left menu, as well as introduce a fixed page width with narrower content space. Please be patient while adjustments are made for the switch to the new system.

UPDATE: As the change is now in force for some users, I have switched the navigation to the simplified one for the new system. Please check Navigation in the Help section if you can't find things. I also initially made small adjustments to the front page layout, but have now reverted to the old look until all users are on the new system.

COUNTDOWN: Just a reminder for people still using Monaco that the final switch to the new skin is due on Nov. 3. After that, it will no longer be offered as an option. Sorry. Nothing to do with me.

Steve W

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John Peel Wiki

The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. For most of its history the Quartet consisted of John Lewis (piano), Milt Jackson (vibraphone), Percy Heath (double bass), and Connie Kay (drums). The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis andJackson along with bassist Ray Brown and drummer Kenny Clarke. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced as bassist by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django" and Jackson's Bags' Groove". Clarke left the group in 1955 and was replaced as drummer by Connie Kay, and in 1956 they moved to Atlantic Records and made their first tour to Europe.

Under Lewis's direction, they carved their own niche by specializing in elegant, restrained music that used sophisticated counterpoint inspired by baroque music, yet nonetheless retained a strong blues feel. Noted for their elegant presentation, they were one of the first small jazz combos to perform in concert halls rather than nightclubs.  (Read more at Wikipedia)

Links to Peel[]

The_Modern_Jazz_Quartet_Ft._Jimmy_Giuffre_-_A_Morning_in_Paris_(1956)

The Modern Jazz Quartet Ft. Jimmy Giuffre - A Morning in Paris (1956)

Peel's somewhat ambivalent attitude to jazz is illustrated by his comments when playing his favourite Modern Jazz Quartet, track, "The Golden Striker", on a 2002 show; : "I remember buying that record when I was a kid and thinking it was fantastically cool because all of my friends hated it." This may have been another example of him going against the views of his jazz-loving fellow pupils at Shrewsbury School, who had belittled his enthusiasm for Earl Bostic - although he may have left school by then.

The track was released in 1958 as part of the soundtrack LP for the French film Sait-on Jamais (One Never Knows or No Sun In Venice), directed by Roger Vadim, who had made his name by directing Brigitte Bardot in And God Created Woman, the film which established Bardot as a star. Today, the soundtrack LP of Sait-on Jamais is better remembered than the film, but in 1950s Britain, French films were considered provocative and risqué, so the teenage Peel may have been prevented from seeing it due to an "X" certificate. Whether he bought the LP, or a single or EP, isn't known, but "The Golden Striker" did become a lifetime favourite, from early plays on Night Ride to an appearance in the Peelenium 1957.

After the MJQ signed with the Beatles' Apple label in the late 1960s, JP played a track from one of the LPs for the label on a 1968 Night Ride. By then their style was a little out of fashion, but their fortunes revived in latter decades and their records were played regularly on the BBC's jazz programmes, if rarely by Peel. In the 1980s he played some tracks from an album the MJQ made in 1957 with saxophonist Sonny Rollins and a track from 1956 from an album with multi-instrumentalist Jimmy Giuffre guesting on some tracks, but otherwise seemed to ignore their work. However, their drummer Connie Kay was featured on one of the DJ's favourite LPs of 1969, Van Morrison's Astral Weeks.

Festive Fifty Entries[]

  • None.

Sessions[]

  • None.

Other Shows Played[]

  • 18 December 1968: Three Little Feelings (Part I) (LP - Under The Jasmin Tree) Apple
  • 07 December 1982: A Morning In Paris
  • 04 December 1984 (with Sonny Rollins): 'The Stopper (LP-Sonny Rollins with the Modern Jazz Quartet)' (Ojc)
  • 16 January 1985: (with Sonny Rollins, featuring Art Blakey and Kenny Drew): The Stopper (album - Sonny Rollins With The Modern Jazz Quartet) Prestige PRLP 7029  
  • 20 February 1985: (with Sonny Rollins, featuring Art Blakey and Kenny Drew): Shadrack (album - Sonny Rollins With The Modern Jazz Quartet) Prestige PRLP 7029  
  • 05 October 1999 : ‘The Golden Striker’ Peelenium 1957
  • 14 November 2000: The Golden Striker (EP - One Never Knows) London
  • 18 April 2002: The Golden Striker (soundtrack LP – No Sun In Venice) Atlantic (JP: "I remember buying that record when I was a kid and thinking it was fantastically cool because all of my friends hated it.")

External Links[]