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"Do you realise that on this same LP is the supreme moment of recorded history – you probably don’t realise this – lets see if I can find it. …its at the end of this sax solo when the sax goes away and Duane comes in with his bass - its coming up any minute now … right that’s it – the supreme achievement of the 20th century…" (JP 09 February 1981 )

"I often say, when people say to me, as they do, when you've got a job like mine, "What's the best record ever made?", and I still say, and I still believe it to be true, Teenage Kicks by the Undertones, although it's like sixteen, seventeen years old, but still every time I hear it, I get that same feeling all the way through it, this is as good as anything has ever been in the whole of recorded history, and I'll stick with that, I think, by and large. But a second favourite (obviously, I've got about 150 second favourites), but one of them is Duane Eddy's Peter Gunn, and mainly because of the bit which I regard as being one of the great moments in all of recorded music (we're talking in extremes here), is the bit where the sax stops and Duane comes twanging in on his own."
(JP, 13 January 1996 (BFBS))

Duane_Eddy_Peter_Gunn

Duane Eddy Peter Gunn

Peter Gunn by Duane Eddy

Before the release of Teenage Kicks, Peter Gunn by Duane Eddy was long touted by Peel as his favourite record and he continued to play it down the decades, although perhaps surprisingly no copy was found in John Peel's Record Box. It did, though, feature among his choices for the 1984 programme My Top Ten and was a Peelenium selection for 1959.  On 09 February 1981 he went so far as to claim it to be the supreme achievement of the 20th century.

The song itself was written by Henry Mancini as the theme for a US private detective TV show created by Blake Edwards that aired 1958-61.[1] Duane Eddy's version was a worldwide hit that reached #6 in the UK charts in summer 1959[2]. In 1986, a cover by Art Of Noise featuring Eddy would also make it to the British top ten[3] (and be played by Peel).

Plays[]

(Duane Eddy version unless otherwise indicated. Please add further information if known.)

Other
  • Peel Late Nov 1983
  • Peel 080 (BFBS)
  • My Top Ten
    (JP: "I think after the Undertones, almost with the Undertones, this is my all-time favourite record. And I saw him at the Liverpool Empire the first time he came over here, with Bobby Darin and Clyde McPhatter ... But the middle bit of this, when the sax stops and Duane comes through twanging away on his own is like for me the supreme moment in recorded popular music.")
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