John Peel Wiki


Swell Maps were an experimental British rock group from the town of Solihull near Birmingham in the West Midlands. Formed in the early Seventies by brothers Nikki Sudden and Epic Soundtracks, they were joined by Phones Sportsman (David Barrington) and bassist Jowe Head. The lineup was later bolstored by guitarist Richard "Biggles" Earl and John Cockrill. Although they emerged during the punk era and their music reflected the rough and ready garage rock then in vogue, it also included elements of Krautrock and the avant garde, created in the DIY spirit of the age.

After several years of making home recordings, the group were inspired by Buzzcocks self-released 'Spiral Scratch EP' to book into a studio and record debut single 'Read About Seymour' in September 1977. Issued on their own Rather label, it was later reissued by Rough Trade. Debut LP "A Trip To Marineville" was issued in 1979. The Maps issued one more album before disbanding in 1980.

Most band members went on to have solo careers. Jowe Head subsequently enjoyed a long stint as a member of Television Personalities.

Links To Peel

Although not reflected in the documented track listings currently available, Peel played the Maps' debut single 'Read About Seymour' numerous times on release. The group included a photograph of Peel on the record sleeve, which may have helped to attract his initial attention [1].

When repeating their debut session on 20 November 1978, Peel reads out a postcard sent in by Nikki Sudden in which he demands that their friends Television Personalities be given a session. [2]. Swell Maps were an acknowledged influence on Thurston Moore of Sonic Youth, who supplied sleevenotes for the compilation LP "Collision Time Revisited" (1989) (reproduced on this blog).

In 2017, Jowe Head recalled the influence and impact of the John Peel show in an article published on the unofficial Television Personalities website [1]:

"John Peel was, of course, one on the top our mailing list when we made our first single 'Read About Seymour'. He immediately started playing the record as soon as he was given a copy... Thereafter, each of us took turns recording his shows each night in the hope that he might play our song again, which he did, regularly. We produced that first studio recording ourselves, inspired by the first releases by Buzzcocks and Desperate Bicycles, and then we found the pressing plant and printer to make the discs and covers for us; we packed them all up in a bedroom, and sent out copies to John Peel, and a few journalists. We also did a modest mail-order operation for a while. It was all self-financed by wages from menial jobs that we saved up. Peel playing the record made all the difference in getting the record into the shops and distributed more widely. Rough Trade were impressed enough to take as many copies as we could give them. And when they ran out, they reissued it for us."

The group were invited to record three sessions for the programme. Jowe remembers the group's first visit to Maida Vale:

"It was a thrill to be asked to record a session, at BBC's Maida Vale studios. We were still developing some of the material that ended up being recorded later on our first album, so some pieces like 'Harmony in Your Bathroom' and 'Full Moon' were still a bit rough-and-unready, but it was an ideal opportunity to be bold and try them out. My fondest memory was Epic and I dashing into the toilets to fill up a jug with water, then using a pair of straws to make a bubbling sound for 'Harmony'. In our excitement, we splashed some of it on the floor and near one of the microphones, so we were only allowed one take, but it was very effective, with some reverb added in the mix, but we were reprimanded very firmly by the producer and engineer for causing so much chaos!"

He goes on to reflect:

"Remarkably, each of the three sessions was repeated, and Peel would play each of the four singles repeatedly and many album tracks as well, so he was a valuable supporter throughout our brief but eventful "career" as a band. He was also a great mentor, in terms of having exposed us to some of our formative influences: Faust, Can, Henry Cow, The Damned, Sex Pistols, and so on."

Festive Fifty Entries

  • None.



SWELL MAPS John Peel 16th October 1978

Three sessions. Second session released on "Whatever Happens Next" LP, Rough Trade ROUGH21 (1981).

1. Recorded 1978-10-16. Broadcast 27 October 1978. Repeated 20 November 1978.

  • Read About Seymour / Harmony In Your Bathroom / Full Moon In My Pocket - Blam - Full Moon / International Recue / Another Song

2. Recorded 1979-05-15. Broadcast 22 May 1979. Repeated 21 June 1979.

  • Bandits / Vertical Slum - Forest Fire / Armadillo / Midget Submarines

3. Recorded 1980-03-18. Broadcast 01 April 1980. Repeated 08 May 1980.

  • Big Empty Field / Bleep And Booster Come Round For Tea - Secret Island / (Let's) Buy A Bridge / The Helicopter Spies - A Raincoat's Room

Other Shows Played

The list below was researched only from the database of this site. Please add further information if known.

  • 18 April 1984 (BFBS): Dresden Style (7") Rough Trade

Phones Sportsman Band
(Swell Maps contributor Phones Sportsman issued a solo single in 1980. Although unacknowledged on the record sleeve, he was backed by the rest of the band.)

Thurston, Kim & Epic
(Epic Soundtracks with Thurston Moore and Kim Gordon of Sonic Youth.)

  • 09 May 1992: Thurston, Kim & Epic: Sitting On A Barbed Wire Fence (CD - Outlaw Blues) Imaginary
  • 23 May 1992: Black Candy (v/a album - Fortune Cookie Prize]) Simple Machines
  • 24 May 1992 (BFBS): Thurston, Kim And Epic: Sitting On A Barbed Wire Fence (CD - Outlaw Blues) Imaginary

See Also

External Links

  1. The group knowingly added the message "a means of bringing the Maps to the customer" below the photo.
  2. This demand was eventually met in August 1980.
  3. Ken Garner's The Peel Sessions (Chapter 11, Page 219)
  4. Ken Garner's The Peel Sessions (Chapter 11, Page 219)